As the largest purveyor of original antique maps, prints and engravings in the state of Hawaii, our holdings of original 17th, 18th, and 19th century imagery are substantial. read more...
Premium canvas... We print our own Giclées in our Lahaina studio just for you, using the finest archival inks, guaranteed not to fade or shift under normal circumstances for over 100 years. Our premium canvases are of the highest quality, and all of our canvas graphics (many of which are exclusive to us) are 100% waterproof. One of the advantages of our labor-intensive process, along with stability and color range, is the fact that our canvases can be displayed without glass. In addition to being glare-free, they are also easily cleaned, making them extremely versatile decorating choices. Our Giclées are not fragile, so you can display them with ease in any number of locations.
We print our own Giclées in our Lahaina studio just for you, using the finest archival inks, guaranteed not to fade or shift under normal circumstances for over 100 years. Our premium canvases are of the highest quality, and all of our canvas graphics (many of which are exclusive to us) are 100% waterproof. One of the advantages of our labor-intensive process, along with stability and color range, is the fact that our canvases can be displayed without glass. In addition to being glare-free, they are also easily cleaned, making them extremely versatile decorating choices. Our Giclées are not fragile, so you can display them with ease in any number of locations.
A Man of the Sandwich Islands, Dancing Artist: John Webber Plate: 62 Engraver: C. Grignion Hula, the Hawaiian word for dance, was a sacred component of Hawaiian culture. It is said to have been introduced to Hawaii from Tahiti, along with the pahu hula, a large, sharkskin-covered drum, and long bamboo tapping sticks called ka'eke'eke. These provided rhythmic accompaniment to the chants recited from memory that provided the hula with its often-poetic story line. The hula was performed as part of sacred temple ceremonials, to honor the genealogies of high-ranking chiefs, as well as in popular performances that attracted commoners and royalty alike. Both men and women performed hula, with numerous stylistic differences that evolved over centuries. Dancers might perform individually or in large, carefully choreographed groups. The solo dancer pictured in this image is seen holding an uli'uli, a feather-covered gourd rattle. On his calves are leggings made of loose-hanging dog's teeth. Called kupe'e niho 'ilio, they weighed up to ten pounds and included as many as 1,356 teeth, adding rhythmic accompaniment to the dancer's leg movements. The tattoos on the dancer's arms and legs are an example of the elaborate decoration in Hawaii.
